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-{{:damascus-logo.jpg?nolink|}}+{{:damascus-logo.jpg?nolink&470|}}
  
 ====== Damascus ====== ====== Damascus ======
  
-Progressive Metal\\+Progressive Rock\\
 Mt. Prospect, Illinois, USA Mt. Prospect, Illinois, USA
  
 Formed as Haze in 1975, changed name to Damascus in 1982. Formed as Haze in 1975, changed name to Damascus in 1982.
 +
 +"In February of 1982, Damascus drew its first breath. Their first six months were spent becoming unified in direction and writing new material. Taking the initiative, the group began booking themselves into large halls, churches, and school gymnasiums throughout the Midwest. Due to the demand at concerts for a recording, the band took time off in late 1983 to produce //Damascus//, a four song cassette release.
 +
 +In August 1984, Damascus began working on //Will I Find You There?// This recording was in record stores and at concerts by May 1985, and quickly surpassed sales of //Damascus//. Recording of their third project was interrupted midway through by the national attention //Will I Find You There?// was receiving. With the boost in sales and publicity, the group decided to remix the master tapes. The remixed version was completed and on sale again in February 1986.
 +
 +In January of 1987, they switched studios and continued recording what became their third release //Timeless//. Upon its release that spring, //Timeless// won rave reviews from nearly every Christian publication. The next year and a half was spent on the road supporting //Timeless//.
 +
 +In the spring and summer of 1990, the group took a deep breath as they reflected and began redefining Damascus. September of 1990 saw Damascus officially releasing their long awaited fourth release //Soon... The Doors Will Open//. As the group and reviewers quickly admit, //Soon...// is by far the best work they have completed to date."
  
 ===== Discography ===== ===== Discography =====
  
-| 198? | [[https://christiantapeunderground.wordpress.com/2018/06/13/damascus-demo/|Damascus I]] |+| 1983 | [[https://christiantapeunderground.wordpress.com/2025/12/22/damascus-damascus/|Damascus]] |
 | 1984 | [[https://christiantapeunderground.wordpress.com/2018/05/05/damascus-will-i-find-you-there/|Will I Find You There?]] | | 1984 | [[https://christiantapeunderground.wordpress.com/2018/05/05/damascus-will-i-find-you-there/|Will I Find You There?]] |
-| 1987 | [[Timeless]] | +| 1987 | [[https://christiantapeunderground.wordpress.com/2018/08/25/damascus-timeless/|Timeless]] | 
-| 1990 | [[Soon… The Doors Will Open]] | +| 1989? | [[https://christiantapeunderground.wordpress.com/2018/06/13/damascus-demo/|Demo]] | 
-| 1991 | [[Damascus 5]] (unreleased) | +| 1990 | [[https://christiantapeunderground.wordpress.com/2019/01/16/damascus-soon-the-doors-will-open/|Soon… The Doors Will Open]] | 
-| 199? | [[Anthology I]] | [[Fort Wayne Publishers]] | +| 1991 | [[https://christiantapeunderground.wordpress.com/2026/01/12/damascus-demo-91-the-turning-tide/|Demo 91]] | 
-| 1998 | [[Anthology II]] | [[Fort Wayne Publishers]] |+| 1993 | [[https://christiantapeunderground.wordpress.com/2026/01/12/damascus-demo-91-the-turning-tide/|The Turning Tide]] (unreleased) | 
 +| 199? | Anthology I | [[Fort Wayne Publishers]] | 
 +| 1998 | Anthology II | [[Fort Wayne Publishers]] | 
 +| 2024 | The Road to Damascus: The Complete Anthology | Roxx Records |
  
 ------ ------
  
-==== Demo ====+==== Damascus ====
  
-1983(?) Independent+1983 Independent
  
-  - Lead Me On +Thomas McKeown - Guitar, keyboards, vocals\\ 
-  - Psalm Ad +Marc Reich - Guitar, vocals\\ 
-  - Reckless+Cliff Zweibruck - Bass, vocals\\ 
 +Dave Coy - Drums, percussion 
 + 
 +  - Slipping Away 
 +  - Truth 
 +  - His Love Today 
 +  - Nothing Left To Fear
  
 ------ ------
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 1987 Independent 1987 Independent
  
-David Coy: Drums and Percussion\\ +David Coy - Drums, percussion\\ 
-Tom McKeown: Vocals, Keyboards, Guitars\\ +Tom McKeown - Vocals, keyboards, guitars\\ 
-Marc Reich: Vocals, Guitars\\ +Marc Reich - Vocals, guitars\\ 
-Cliff Zweibruck: Bass Guitar +Cliff Zweibruck - Bass guitar 
  
 //Timeless// recorded Jan. 1986 - Jan. 1987 at Damascus Studio, Master Tracks, Reel Productions\\ //Timeless// recorded Jan. 1986 - Jan. 1987 at Damascus Studio, Master Tracks, Reel Productions\\
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   - The Keeper (words and music by Tom McKeown)   - The Keeper (words and music by Tom McKeown)
  
-This recording was almost DOA. We spent a great deal of time recording the bass and drum tracks along with some scratch guitar and vocal lines at our own studio on a four track machine. We then transferred our tapes at Master Tracks and added the vocals, keyboards and guitar parts. The first mix we did at Master Tracks was so discouraging that we scrapped the entire project for nearly a year. We just couldn’t get the sound we were looking for. Many months later, after reading an ad in a magazine, I gave a guy named Steve Moroniak a call at Reel Productions. At first he felt the project might be too big for his “songwriters” studio, but thankfully, we finally got together. We ended up remixing the entire recording at Reel Productions. I don’t think we will ever forget the huge mess of cabling we had all over the studio while mixing down the multitracks. Though I was never completely satisfied with my performance on the songs, I am still very grateful to Steve for helping save these tunes from extinction.+"This recording was almost DOA. We spent a great deal of time recording the bass and drum tracks along with some scratch guitar and vocal lines at our own studio on a four track machine. We then transferred our tapes at Master Tracks and added the vocals, keyboards and guitar parts. The first mix we did at Master Tracks was so discouraging that we scrapped the entire project for nearly a year. We just couldn’t get the sound we were looking for. Many months later, after reading an ad in a magazine, I gave a guy named Steve Moroniak a call at Reel Productions. At first he felt the project might be too big for his “songwriters” studio, but thankfully, we finally got together. We ended up remixing the entire recording at Reel Productions. I don’t think we will ever forget the huge mess of cabling we had all over the studio while mixing down the multi-tracks. Though I was never completely satisfied with my performance on the songs, I am still very grateful to Steve for helping save these tunes from extinction." 
 + 
 +------ 
 + 
 +==== Demo ==== 
 + 
 +1989(?) Independent 
 + 
 +Thomas McKeown – Vocals, keyboards, guitars\\ 
 +Marc Reich- Vocals, guitars\\ 
 +Cliff Zweibruck – Bass\\ 
 +David Coy – Drums, percussion 
 + 
 +  - Lead Me On 
 +  - Psalm Ad 
 +  - Reckless 
 + 
 +This appears to be a pre-release demo for //Soon… The Doors Will Open//,
  
 ------ ------
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 1990 Independent 1990 Independent
  
-David Coy: Drums and Percussion\\ +Thomas McKeown – Vocals, keyboards, guitars\\ 
-Tom McKeown: Vocals, Keyboards, Guitars\\ +Marc Reich- Vocals, guitars\\ 
-Marc Reich: Vocals, Guitars\\ +Cliff Zweibruck – Bass\\ 
-Cliff Zweibruck: Bass Guitar +David Coy – Drums, percussion
  
 Soon.. recorded July 1988 - Oct. 1988 at Damascus Studio and Reel Productions\\ Soon.. recorded July 1988 - Oct. 1988 at Damascus Studio and Reel Productions\\
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   - Waves (words by Kathy Coy, music by Tom McKeown)   - Waves (words by Kathy Coy, music by Tom McKeown)
  
-I think we finally started hitting our stride on “Soon..” . Our earlier years were always plagued by our inability to make our music as powerful on tape as it was live. I finally decided that the studio recordings didn’t have to be an exact copy of the live shows. We ended up doing what ever it took to get the song across on tape. I went with layering multiple instruments in an attempt to capture a bit of what I had always heard in my head, and for the most part it worked. Drums are one of the toughest instruments to record well. It takes a lot of time to get the right sound. We all know, time is money and we didn’t have much money, so we once again layed down the bass and drums tracks at our studio and then transferred the tapes over at Reel Productions. By this time we had developed quite a friendship with Steve and his wife Carol. (his dog yappy is another story) Through the recording and process, I started to feel as though I lived over at Reel Productions. Someone from the band was always over there recording something. The sessions went very well and the first mixdown I did with Marc. The mix was pretty good, but after some intense listening, I ended up remixing all the tracks. Steve did an excellent job of chopping up the little bits of tape we had all over the studio while getting the masters ready for duplication. We were able to release the tapes before Christmas in 1988 to coincide with some record release shows. This was definitely a high point for us collectively.+"I think we finally started hitting our stride on //Soon...//. Our earlier years were always plagued by our inability to make our music as powerful on tape as it was live. I finally decided that the studio recordings didn’t have to be an exact copy of the live shows. We ended up doing what ever it took to get the song across on tape. I went with layering multiple instruments in an attempt to capture a bit of what I had always heard in my head, and for the most part it worked. Drums are one of the toughest instruments to record well. It takes a lot of time to get the right sound. We all know, time is money and we didn’t have much money, so we once again laid down the bass and drums tracks at our studio and then transferred the tapes over at Reel Productions. By this time we had developed quite a friendship with Steve and his wife Carol (his dog yappy is another story). Through the recording and process, I started to feel as though I lived over at Reel Productions. Someone from the band was always over there recording something. The sessions went very well and the first mixdown I did with Marc. The mix was pretty good, but after some intense listening, I ended up remixing all the tracks. Steve did an excellent job of chopping up the little bits of tape we had all over the studio while getting the masters ready for duplication. We were able to release the tapes before Christmas in 1988 to coincide with some record release shows. This was definitely a high point for us collectively."
  
 ------ ------
  
-==== Damascus 5 ====+==== Demo 91 ====
  
-1991 Unreleased+1991 Independent
  
-David Coy: Drums, percussion, and keyboards\\ +Thomas McKeown - Lead vocals, keyboards, guitar\\ 
-Tom McKeown: Vocals, keyboards, guitars\\ +Cliff Zweibruck - Bass guitar\\ 
-Cliff Zweibruck: Bass Guitar, bass pedals, and keyboards+David Coy - Drums, percussion
  
-  - The Turning Tide 
   - Time is a Tool   - Time is a Tool
-  - Ice of My Desire 
   - A Passing of Moments   - A Passing of Moments
 +  - Ice of My Desire
 +
 +This was recorded as a preview of their upcoming 5th album.
 +
 +------
 +
 +==== The Turning Tide ====
 +
 +1993 Unreleased
 +
 +Tom McKeown - Vocals, keyboards, guitars, drum programming\\
 +Cliff Zweibruck - Bass Guitar\\
 +David Coy - Drums, percussion
 +
 +Laura Fry - Viola on "A Passing of Moments (revisited)"
 +
 +  - On a Wire
 +  - The Turning Tide
   - So the Story Goes   - So the Story Goes
   - Screwtape   - Screwtape
-  - On a Wire+  - Ice of My Desire 
 +  - A Passing of Moments 
 +  - Time is a Tool 
 +  - Unfinished Business 
 +  - A Passing of Moments (revisited)
  
-Shortly after the release of “Soon....” , Marc let us know he had accepted a job offer in Oregon. I still remember him telling us he was leaving as we were loading the truck for some shows in Michigan. It hit us like a bomb shell. I think most of us were in total shock for the entire trip. At that point, we had been together as Damascus for ten years. I had known Marc and played in bands with him since we were in high school. This was one of the darkest times for us. Later, we all did a lot of soul searching to decide what to do next. Should we split the band now or continue on? I was glad we decided to continue our path together. We first thought of replacing Marc with another guitars / vocalist, but soon decided to work as a trio. Technology became a huge player in our future. Though we never used sequencers live, we did use thirteen keyboards. Everyone had multiple jobs now. Cliff played bass, bass pedals and keyboards. Dave played drums, percussion and keyboards triggered from pads. This was a new era and a very exciting one. Rearranging our songs for a trio proved to be quite difficult. We rearranged what we could and started writing again. We had many successful shows as a trio and in 1991 we recorded a demo of some of the new material. I still feel these songs were among the best we ever wrote. We continued to play out and shopped our demo to some record labels, but sadly, interest was still not there for our type of progressive rock music. The Christian market was filled with “fluff” and we flat out refused to change. We were told that we could be big if we would just get in the mainstream. That was never meant to be. That year, we left the church we were rehearsing in for the last 11 years because of theological differences. We then set out to turn Cliffs garage into our new studio. Once completed, we turned our attention to recording what was to be Damascus 5. The songs were great, all we needed to do was capture them on tape. That also, was not ot meant to be. Shortly after we began recording, the lights went out for the last time. Dave told us he just couldn’t do this anymore. The lack of recognition from the industry had weighed us all down. Dave was just the first to express what we all felt. Maybe someday we will put together what would have been our fifth and finest recording.+"Shortly after the release of //Soon....//, Marc let us know he had accepted a job offer in Oregon. I still remember him telling us he was leaving as we were loading the truck for some shows in Michigan. It hit us like a bomb shell. I think most of us were in total shock for the entire trip. At that point, we had been together as Damascus for ten years. I had known Marc and played in bands with him since we were in high school. This was one of the darkest times for us. Later, we all did a lot of soul searching to decide what to do next. Should we split the band now or continue on? I was glad we decided to continue our path together. We first thought of replacing Marc with another guitarist/vocalist, but soon decided to work as a trio. Technology became a huge player in our future. Though we never used sequencers live, we did use thirteen keyboards. Everyone had multiple jobs now. Cliff played bass, bass pedals, and keyboards. Dave played drums, percussion, and keyboards triggered from pads. This was a new era and a very exciting one. Rearranging our songs for a trio proved to be quite difficult. We rearranged what we could and started writing again. We had many successful shows as a trio and in 1991 we recorded a demo of some of the new material. I still feel these songs were among the best we ever wrote. We continued to play out and shopped our demo to some record labels, but sadly, interest was still not there for our type of progressive rock music. The Christian market was filled with 'fluff' and we flat out refused to change. We were told that we could be big if we would just get in the mainstream. That was never meant to be. That year, we left the church we were rehearsing in for the last 11 years because of theological differences. We then set out to turn Cliff's garage into our new studio. Once completed, we turned our attention to recording what was to be //Damascus 5//. The songs were great, all we needed to do was capture them on tape. That also, was not meant to be. Shortly after we began recording, the lights went out for the last time. Dave told us he just couldn’t do this anymore. The lack of recognition from the industry had weighed us all down. Dave was just the first to express what we all felt. Maybe someday we will put together what would have been our fifth and finest recording."
  
 ------ ------
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 1998 Fort Wayne Publishers 1998 Fort Wayne Publishers
  
-David Coy: Drums and Percussion\\ +David Coy - Drums, percussion\\ 
-Tom McKeown: Vocals, Keyboards, Guitars\\ +Tom McKeown - Vocals, keyboards, guitars\\ 
-Marc Reich: Vocals, Guitars\\ +Marc Reich - Vocals, guitars\\ 
-Cliff Zweibruck: Bass Guitar+Cliff Zweibruck - Bass guitar
  
 Damascus Anthology II was digitally remastered for CD in “The Garage” by Tom McKeown. Special thanks to Steve Moroniak for the DAT tapes of the original masters. Damascus Anthology II was digitally remastered for CD in “The Garage” by Tom McKeown. Special thanks to Steve Moroniak for the DAT tapes of the original masters.
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 Notes by Tom McKeown Dec. 1998 Notes by Tom McKeown Dec. 1998
 +
 +------
 +
 +==== The Road to Damascus: The Complete Anthology ====
 +
 +2024 Roxx Records (RRCD-00277)
 +
 +== Disc One ==
 +
 +  - Slipping Away (5:31)
 +  - Nothing Left to Fear (4:18)
 +  - Will I Find You There? (4:34)
 +  - Truth (4:38)
 +  - A Father's Only Son (5:28)
 +  - His Love Today (3:27)
 +  - Circle of God's Love (4:33)
 +  - The Lost Prayer (9:13)
 +  - Time for a Season (3:07)
 +  - What Four? (4:39)
 +  - A Knight to Remember (3:37)
 +  - Timeless (4:55)
 +  - Lord of the Mountain (4:03)
 +  - The Keeper (3:44)
 +
 +Tracks 1-2 from //Damascus// (1983)\\
 +Tracks 3-8 from //Will I Find You There?// (1984)\\
 +Tracks 9-14 from //Timeless// (1987)
 +
 +== Disc Two ==
 +
 +  - Decisions (3:49)
 +  - Psalm Ad (3:39)
 +  - An Angel (5:25)
 +  - Reckless (4:05)
 +  - Lead Me On (4:14)
 +  - Blind Peace (2:49)
 +  - Something to Live For (2:57)
 +  - Still Waters (3:05)
 +  - Waves (2:35)
 +  - On a Wire (4:33)
 +  - The Turning Tide (3:09)
 +  - So the Story Goes (3:47)
 +  - Screwtape (4:00)
 +  - Ice of My Desire (4:30)
 +  - A Passing of Moments (5:09)
 +  - Time is a Tool (5:55)
 +  - Unfinished Business (3:47)
 +  - A Passing of Moments (revisited) (5:13)
 +
 +Tracks 1-9 from //Soon… The Doors Will Open// (1990)\\
 +Tracks 10-18 from //The Turning Tide// (1991 / 1993 / 2024)
 +
 +
 +------
  
 ===== Links ===== ===== Links =====
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   * [[https://books.google.com/books?id=VyQEAAAAMBAJ&pg=PA31&lpg=PA31&dq=%22Damascus%22+%22Will+I+Find+You+There?%22&source=bl&ots=z-1X60jRqO&sig=z_xRqbUWIJNtbl-C6K8YwBFG-qk&hl=en&sa=X&ved=0ahUKEwi-t8jEr-zaAhVL7oMKHcmpDdEQ6AEIMTAC#v=onepage&q=%22Damascus%22%20%22Will%20I%20Find%20You%20There%3F%22&f=false|Mention of Damascus in Billboard Magazine]]   * [[https://books.google.com/books?id=VyQEAAAAMBAJ&pg=PA31&lpg=PA31&dq=%22Damascus%22+%22Will+I+Find+You+There?%22&source=bl&ots=z-1X60jRqO&sig=z_xRqbUWIJNtbl-C6K8YwBFG-qk&hl=en&sa=X&ved=0ahUKEwi-t8jEr-zaAhVL7oMKHcmpDdEQ6AEIMTAC#v=onepage&q=%22Damascus%22%20%22Will%20I%20Find%20You%20There%3F%22&f=false|Mention of Damascus in Billboard Magazine]]
   * [[http://www.angelfire.com/ma/strutteraor/REVIEWSPAGE4.html|Review of Anthology II]]   * [[http://www.angelfire.com/ma/strutteraor/REVIEWSPAGE4.html|Review of Anthology II]]
 +
 +{{tag>progressive_rock california united_states 1983 1984 1987 1990 1991 1993}}
 +
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