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Action Spotlight:
Don’t just complain about the world – do something to change it
Freedom Firm is “dedicated to the liberation of children enslaved in commercial sexual exploitation, to their effective rehabilitation, and to justice against those who have profited from their misery. We unapologetically stand dedicated to this cause and this cause alone. We are motivated by our faith in God to conduct our work with the highest ethical standards and to allocate our resources with uncompromising stewardship. We believe that every person has immeasurable value and therefore the exploitation of any person is an unacceptable violation of their God-given value.” See www.freedom.firm.in for more details.
(Freedom Firm did not buy this ad nor do they endorse this magazine – just givin’ ya food for thought)
Print Articles:
- The Orchard: Sorry to Bother You
- Dan Donovan: Dancing Backwards Eats your Brain (with bonus online pictures)
- Ian Arkley of My Silent Wake (with bonus online pictures)
- Contemplating After the Fire
- I Survived the Satanic Panic: Ritual Abuse and the Occult
- The C.U.E.: Octover
- Tim Chandler: 1960-2018
- Praga Church Interior 3 by Rick McDonough
Reviews:
- Jimmy P Brown II – Eraserhead
- Peacemaker – Concrete Terror
- Fireworks on Ferris Wheels – Fireworks on Ferris Wheels
- Kelly Jay Roberts – Alive and Alone
- Alice Cooper – Paranormal
- Pacifico – Everest
- Mad at the World – Hope
- My Silent Wake – There Was Death
- Michael Knott – Songs From the Feather River Highway
- The Choir – Bloodshot
- October Bird of Death – Assemble
- Secret Archives of the Vatican – Singles 2018
- 2Minute Minor – Blood on Our Front Stoop
Credits:
EDITORS: Matt Crosslin and the DTL Snowflakes
MARKETING: Ulike-a Youtellafriend
WRITERS: Ellis, Doug Peterson, Kevin Noel Olsen, Matt Crosslin
LAYOUT: Matt Crosslin
WEB DESIGN: Matt Crosslin
Contact:
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Vision:
Down the Line covers who ever we want really. It could be authors, or bloggers, or musicians, or interesting people or ideas. Our main focus tends to be on music, especially music that explored the intersection between faith, politics, and art in the 1980s through the early 1990s. But we aren’t limited to that, either. Some of these bands or thinkers may still be making stuff today, and others may have moved on. We cover who we find interesting, and probably miss a lot of people that are just as interesting as well.
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